On the heels of their Grammy nomination for their 1992 debut, Never Let Go of His Hand, the Music City Mass Choir returned in 1994 with a power-packed sophomore project, We’ve Come to Praise Him. Where their debut had focused around Lawrence Thomison, a Nashville-based singer/preacher who’d first come to national prominence in the 70s as part of Dewitt Johnson’s Johnson Ensemble, We’ve Come to Praise Him took a different approach. Combining known soloists like Bob Bailey and Beverly Crawford with strong voices from the choir’s interior, producer Derrick Leepresents a strong representation of the breadth of talent situated in Nashville and its surrounding areas in the early 90s. Lee’s…
