By Ivan Sanchez
David C. Driskell, an iconic figure in American art history, significantly shaped the landscape of African American art through his dual roles as an artist and a scholar. Born in Eatonton, Georgia, in 1931, Driskell’s journey from humble beginnings to becoming a preeminent voice in the art world is a testament to his talent, perseverance, and dedication to cultural heritage.
Driskell’s academic pursuits led him to Howard University, where he earned a Bachelor of Science degree in 1955. Further honing his skills, he obtained a Master of Fine Arts degree from Catholic University of America in 1962. His academic career was illustrious, marked by teaching positions at various institutions, including Fisk University and the University of Maryland, where he served as a professor of art and chaired the art department.
At Fisk University, Driskell made significant contributions during his tenure from 1966 to 1977. Fisk, a historically Black university in Nashville, Tennessee, provided a rich environment for Driskell to advance his scholarly and artistic endeavors. While at Fisk, he played a critical role in curating and expanding the university’s art collection, which included works by prominent African American artists. His efforts at Fisk were instrumental in establishing the university as a center for African American art and culture.
Driskell’s time at Fisk was marked by his commitment to integrating African American art into the broader art historical narrative. He worked diligently to highlight the works of Black artists, organizing exhibitions that showcased their contributions and brought them to wider audiences. This period was also significant for Driskell’s own artistic development, as he continued to produce works that reflected his deep engagement with African American cultural themes.
As an artist, Driskell’s work is celebrated for its vibrant exploration of African American themes and experiences. His paintings, often characterized by bold colors and expressive forms, draw from a rich tapestry of cultural influences, including African art, European modernism, and American traditions. Driskell’s art captures the spirit of his heritage, blending the personal with the historical to create works that resonate with a broad audience.
However, Driskell’s impact extends far beyond his artistic creations. He is perhaps best known for his role as a curator and scholar, tirelessly advocating for the recognition and appreciation of African American art. His landmark 1976 exhibition, “Two Centuries of Black American Art,” held at the Los Angeles County Museum of Art, was a groundbreaking event. It was one of the first major exhibitions to highlight the contributions of African American artists to the nation’s cultural history, spanning the period from 1750 to 1950.
This exhibition, alongside his numerous publications and lectures, played a pivotal role in elevating the status of African American art within the broader art historical narrative. Driskell’s scholarship challenged prevailing biases, emphasizing the need for inclusive representation in museums and galleries.
Throughout his career, Driskell received numerous accolades, including the National Humanities Medal in 2000. His legacy continues to inspire new generations of artists and scholars. The David C. Driskell Center at the University of Maryland, established in 2001, stands as a testament to his enduring influence, promoting the study and appreciation of African American visual arts and culture.
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