Helen LaFrance (born November 4, 1919) is an American artist born in Graves County, Kentucky, the second of four daughters to James Franklin Orr and Lillie May Ligon Orr.
LaFrance grew up in a nurturing household under Jim Crow laws, which between 1876 and 1965 prescribed segregation and disadvantaged social, economic and educational conditions for African Americans in the United States. Her father owned and farmed his land, growing tobacco, corn, black-eyed peas, beans, peanuts and sorghum, in a time when sharecropping was customary. Her parents bought school books to teach her at home and, after her chores were completed, she drew and carved in her spare time. Her artistic bent was encouraged from childhood and she always followed her mother’s wisdom to “paint what you know.” She went to school in fifth grade, but later left to work on the farm. When her mother died, she left home to take various jobs in a hospital, caring for children, cooking, working in the tobacco barns and a ceramic factory where she decorated brand-name whiskey bottles. In her 40s, she made enough money to buy art supplies at the grocery store and in 1986 she began painting full-time.
Though the terms are confining, Helen is often described as both an outsider artist due to her lack of formal training and existence outside the cultural mainstream and as a folk artist best known for her memory painting of the disappearing lifestyle of the rural South. She also painted powerful and intensely spiritual visionary interpretations of the Bible, in a style that differed radically from her memory paintings.
LaFrance’s work is represented in many notable public and private collections in this country and in Europe, including Oprah Winfrey, Gayle King, Bryant Gumbel and contemporary artist Red Grooms. Her work has been shown at county fairs, at the Mayfield, Kentucky bank and public library, Murray State University, the Kentucky Museum (Bowling Green), the National Black Fine Arts Show (New York City) Color, an art show sponsored by Oprah Winfrey in Chicago. Her depiction of workers rolling cut tobacco is included in the Van Nelle collection of tobacco art in Amsterdam, the Netherlands, purchased on a visit to the Kentucky tobacco barn where she worked. The Owensboro Museum of Fine Art holds examples of her work in its collection and featured her in a cataloged show in 1991 called “Kentucky Spirit, the Naive Tradition.” The Kentucky Folk Art Center in Morehead also owns her work and has included her in its exhibitions. The subject of a Kentucky Educational Television (KET) program and other documentaries, she received the prestigious Folk Heritage Award for 2011, one of the Governor’s Awards in the Arts presented by the Kentucky Arts Council. She is featured in a chapter of Kathy Moses’ reference book, Outsider Art of the South. Her life and her work were documented in the award-winning screenplay by Marilyn Jaye Lewis, Tell My Bones: The Helen LaFrance Story.
Today in her 90s, Helen LaFrance resides in a Kentucky nursing home and says of her days, “When I’m not eating or sleeping, I’m painting.”
Helen LaFrance’s work is up all month at the Janet Levine March Gallery located inside the Gordon Jewish Community Center, 801 Percy Warner Blvd. Nashville, ph: 615-356-7170.
