Jon Batiste was among the Record of the Year nominees.

By Ivan Sanchez 

This year’s Grammy nominees showcase striking diversity, a consistent trend in the awards’ history. However, despite the inclusive nominee list, the Grammys have faced criticism for frequently awarding white winners when the results are announced.

Among the Record of the Year nominees, including Jon Batiste for “Worship,” Victoria Monét for “On my Mama,” and SZA for “Kill Bill,” Black artists contribute to approximately 40 percent of the nominees in this category. Notably, no Latino artists received nominations for the industry’s top award this year. In an effort to embrace diversity, the Grammys introduced a new category, Best African Music Performance.

While the increased recognition of music by Black artists at the Grammys is positive, the awards ceremony has continued a historical trend of disproportionately honoring white artists. A study conducted by Dr. Stacy L. Smith and the USC Annenberg Inclusion Initiative revealed that from 2012 to 2020, 38 percent of artists on Billboard’s charts were Black, whereas only 26.7 percent of Grammy nominees during the same period were Black. Moreover, a smaller percentage of these nominees went on to win in one of the Grammy’s “top four” categories, with most recognition for Black and Latino artists relegated to genre-specific awards.

Despite over 40 percent of Americans identifying as Black, Asian, Hispanic/Latino, or belonging to another non-white racial group, the Grammys persist in segregating music created by minority artists into “genre” categories. Often, these awards receive less attention, with many not presented during the Grammy ceremony. Notably, from 2020 to 2023, a Black or Latino artist held the title of the most or second-most streamed artist on Spotify every year.

Moving forward, it is crucial for award show panels to intensify efforts to diversify their members, fostering true diversity in both nominations and voting panels. Although the Grammys and other award shows have made strides in this direction, there remains a need for more extensive initiatives to spotlight music by minority artists frequently overlooked by the industry.

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